It is behind a paywall, but the November 2013
Perspectives, a publication of the American Historical Association, profiled the on-line archive
Women's Worlds in Qajar Iran. Here is
a description:
Unlike most digitized archives, Women's Worlds in Qajar Iran (WWQI) did
not begin with a discrete collection, or even collections. Instead, the
writings, photographs, and other primary source materials that WWQI is
digitizing are dispersed across myriad locations and among numerous
different owners. It is extremely unlikely that these materials would or
could ever be released to research institutions en masse, in part
because of their dispersed ownership, but also because of the personal
value that many of these items hold for their present owners. Captured
in digital form, they have become an archive-albeit one for which a
unified physical counterpart in the traditional form of accession
numbers and boxes would never exist.
Initially imagined as a modest project-we had anticipated generating
some 3,000 images over the first two years-WWQI has grown beyond our
wildest dreams thanks to the overwhelmingly positive response of
families and institutions in Iran and elsewhere. As of April 2013, we
have over 33,000 images recorded from 43 private family collections and
10 institutional collections. We are currently processing collections
from 18 additional families and two additional institutions.
Selection of collections depended on availability and on the
collaboration of families each of our team members happened to know.
Once the project took shape and became known, we had the opportunity to
discuss in our periodic workshops how we could more proactively overcome
emerging limitations of social, geographical, and cultural diversity of
the archive. For instance, we have addressed the issue of how not to be
limited to the urban elite by reaching out to families with a line of
local religious leadership, and digitizing the voluminous books of
neighborhood registries they hold. We have recently been able to access a
rich collection of documents from early 20th-century Kurdistan, and we
have begun to work with Zoroastrian families to address the absence of
that community's records in the archive...
The archive includes poetry; essays and treatises; travelogues; letters;
marriage contracts and other legal documents; photographs; works of
art; images of everyday objects; and a small collection of oral
histories. The website is fully bilingual (Persian and English), and its
search function includes filters for major categories like genre,
collection, people, subject, place and period, allowing users to drill
down into the archive and narrow their search results. Digitized images
provide detailed views of each object with additional descriptive
content.
I've actually used this in my History of the Modern Middle East class, where I get students without the right language skills to do a small primary source project by having them work on historical photographs. The
Gertrude Bell Archive and
Baghdad Museum Project are also good photo sources.
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